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	<title>Pablo Martin &#187; Tutorial</title>
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	<link>http://www.pablomartin.com</link>
	<description>music is my religion, technology my passion</description>
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		<title>High-End Mastering T-RackSMasterizado High-End T-RackS</title>
		<link>http://www.pablomartin.com/2010/01/22/high-end-mastering-t-racks/</link>
		<comments>http://www.pablomartin.com/2010/01/22/high-end-mastering-t-racks/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 06:19:56 +0000</pubDate>
		<dc:creator>Pablo</dc:creator>
				<category><![CDATA[Software]]></category>
		<category><![CDATA[Tutorial]]></category>

		<guid isPermaLink="false">http://www.pablomartin.com/?p=851</guid>
		<description><![CDATA[High-End Mastering &#38; Mixing Suite The new T-RackS 3 raises the bar again in high-end DAW mastering and mixing, with a suite of 9 analog modeled and digital Dynamics/EQ processors, full metering suite, an audio quality that is unmatched in software, and scores of new and unique features. All processors and metering module can be [...]]]></description>
			<content:encoded><![CDATA[<p><!--:en-->High-End Mastering &amp; Mixing Suite</p>
<p>The new <a href="http://www.ikmultimedia.com/t-racks/features/" target="_blank">T-RackS 3 </a>raises the bar again in high-end DAW mastering and mixing, with a suite of 9 analog modeled and digital Dynamics/EQ processors, full metering suite, an audio quality that is unmatched in software, and scores of new and unique features. All processors and metering module can be combined within the plug-in/standalone suite or are also available as individual plug-ins for more convenient mixing within your DAW, for a truly complete bundle of 12 superior sounding tools (10 individual plug-ins, plug-in suite, standalone suite).</p>
<p>Modular High-End Mastering/Mixing Suite of Dynamics and EQ processors, including:</p>
<p>* 9 processors comprised of 3 new analog and vintage emulations (including models based on the Fairchild 670 and the Pultec EQP-1A), 2 new digital processors as well the 4 classic, award-winning T-RackS processors<br />
* New configurable mastering/mixing chain – run up to 12 parallel/series processors<br />
* New complete built-in metering section with Peak, Perceived Loudness, Phase, and RMS meters, plus a Spectrum analyzer with Peak, RMS and Averaging indicators<br />
* New standalone and plug-in versions available in the same package for use in all the most popular native DAWs<br />
* All module processors and metering are also available as individual plug-ins for more convenient mixing within your DAW<br />
* New high-fidelity oversampling with crystal clear transparency, for high quality audio processing throughout the entire signal path<br />
* New SCC™ technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date<br />
* Extremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, “compare” function, multiple audio processing in standalone mode and much more</p>
<p>Getting Started 1:<br />
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<p>Getting Started 2:<br />
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<p>Getting Started 3:<br />
<object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/o1f1q6wqnXQ&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/o1f1q6wqnXQ&amp;hl=en_US&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object><!--:--><!--:es--><a href="http://www.ikmultimedia.com/t-racks/features/" target="_blank">T-Racks 3 </a>Es una suite de 9 procesadores de EQ y dinámica, digitales y de modelado analógico, dedicados a mastering y mezcla. Se incluyen modelos virtuales de equipamiento vintage, como el Fairchild 670 y Pultec EQP-1A.<br />
. 9 procesadores: 3 emulaciones vintage analógicas (incluyendo modelos de Fairchild 670 y Pultec EQP-1A), 2 procesadores digitales y los 4 procesadores clásicos del T-Racks original</p>
<p><strong>Novedades de T-RackS 3.0.1</strong><br />
* Nueva cadena de mastering y mezcla configurable: hasta 12 procesadores en serie o paralelo<br />
*  Nueva sección de medidores: peak, loudness percibido, fase y RMS, así como un analizar de espectro con indicadores de peak, RMS y averaging<br />
*  Versiones en plugin y autónoma en el mismo paquete<br />
* Oversampling de alta fidelidad<br />
* Nueva tecnología SCC, que unida a la tecnología DSM de IK Multimedia, promete &#8220;la emulación más realista de equipamiento vintage hasta la fecha&#8221;<br />
* Muy fácil de usar, con presets basados en estilos, visualización completa de la cadena de proceso, bypass de cada módulo o de toda la cadena con un solo click y procesamiento múltiple de audio en el modo autónomo.</p>
<p>Guia 1:<br />
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<p>Guia 2:<br />
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<p>Guia3:<br />
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		<item>
		<title>Outsim Synth MakerOutsim Synth Maker</title>
		<link>http://www.pablomartin.com/2010/01/19/outsim-synth-maker/</link>
		<comments>http://www.pablomartin.com/2010/01/19/outsim-synth-maker/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 14:39:02 +0000</pubDate>
		<dc:creator>Pablo</dc:creator>
				<category><![CDATA[Software]]></category>
		<category><![CDATA[Tutorial]]></category>

		<guid isPermaLink="false">http://www.pablomartin.com/?p=828</guid>
		<description><![CDATA[In the simpler early days of electronic music, many composers created their own circuits, partly out of necessity and partly because they had a specific idea they wanted to carry out. The growing sophistication and complexity of digital hardware and software today makes it much more difficult for nonexperts to create their own electronic-music circuitry [...]]]></description>
			<content:encoded><![CDATA[<p><!--:en-->In the simpler early days of electronic music, many composers created their own circuits, partly out of necessity and partly because they had a specific idea they wanted to carry out. The growing sophistication and complexity of digital hardware and software today makes it much more difficult for nonexperts to create their own electronic-music circuitry and computer programs. This situation has given rise to software that provides a set of building blocks for creating soft synths and effects without having to do everything from scratch.<br />
<a href="http://www.synthmaker.co.uk/" target="_blank">SynthMaker</a> is an audio programming tool that allows anyone to create their own sounds, virtual instruments and effects without having to write any code. These instruments and effects can then be exported and used for playing live via MIDI or as VST plugins for use in making music using any of the popular recording software.<br />
This video is the first of a series of instructional videos:</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/ruuoW3rP5TQ&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/ruuoW3rP5TQ&amp;hl=en_US&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Continue with this guide, <a href="http://www.youtube.com/user/pawnone" target="_blank">click here</a><!--:--><!--:es-->En los días de inicios de la música electrónica, muchos compositores creaban sus propios circuitos para crear música electrónica, en parte por necesidad y en parte porque tenían una idea específica que querían llevar a cabo por simple gusto. La creciente sofisticación y complejidad de hardware digital y software de hoy en día lo hace mucho más difícil para los no expertos. Esta situación ha dado lugar a una serie de softwares que proporcionan un conjunto de bloques de construcción para la creación de sintetizadores por software y efectos sin tener que hacer todo desde cero.<br />
<a href="http://www.synthmaker.co.uk/" target="_blank">SynthMaker</a> es una herramienta de programación de audio que permite a cualquiera crear sus propios sonidos, instrumentos virtuales y efectos sin tener que escribir ningún código. Estos instrumentos y efectos pueden ser exportados y utilizados para tocar en vivo como para su uso en la produccion de musica.<br />
Aquí el primero de los nueve guías de vídeo.<br />
Aca el primer video de una serie de videos instructivos:
<p>
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<p>Continua con la guia, <a href="http://www.youtube.com/user/pawnone" target="_blank">click aca</a><!--:--></p>
]]></content:encoded>
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		</item>
		<item>
		<title>How to make a hit using samplesCómo hacer un éxito a partir de muestras (samples)</title>
		<link>http://www.pablomartin.com/2010/01/10/how-to-make-a-hit-using-samples/</link>
		<comments>http://www.pablomartin.com/2010/01/10/how-to-make-a-hit-using-samples/#comments</comments>
		<pubDate>Sun, 10 Jan 2010 21:58:05 +0000</pubDate>
		<dc:creator>Pablo</dc:creator>
				<category><![CDATA[Tutorial]]></category>

		<guid isPermaLink="false">http://www.pablomartin.com/?p=794</guid>
		<description><![CDATA[Daft Punk&#8217;s &#8220;One More Time&#8221; is one of the best examples of how a cool dance tune can be made from scratch using samples. This video will show you how, using Ableton Live 6, you can create the song&#8217;s main beat from the original track, called &#8220;More spell on you&#8221; by Eddie Johns. Another examples, [...]]]></description>
			<content:encoded><![CDATA[<p><!--:en-->Daft Punk&#8217;s &#8220;One More Time&#8221; is one of the best examples of how a cool dance tune can be made from scratch using samples. This video will show you how, using Ableton Live 6, you can create the song&#8217;s main beat from the original track, called &#8220;More spell on you&#8221; by Eddie Johns.</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/I85DUucY_ek&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/I85DUucY_ek&amp;hl=en_US&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Another examples, check <a href="http://www.youtube.com/user/deeperndeep">deeperndeep channel</a><!--:--><!--:es-->Daft Punk&#8217;s &#8220;One More Time&#8221; es uno de los mejores ejemplos de cómo una melodía dance fresca se puede hacer desde cero utilizando muestras. Este video te mostrará cómo, usando Ableton Live 6,  puedes crear  la canción de daft punk partiendo de la cancion original de Eddie Johns llamada &#8220;Más spell on you&#8221;</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/I85DUucY_ek&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/I85DUucY_ek&amp;hl=en_US&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Mas ejemplos, revisa el canal <a href="http://www.youtube.com/user/deeperndeep">deeperndeep</a><!--:--></p>
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		<title>Traktor Pro &amp; perfect syncTraktor Pro y sincro perfecto</title>
		<link>http://www.pablomartin.com/2010/01/09/traktor-pro-perfect-sync/</link>
		<comments>http://www.pablomartin.com/2010/01/09/traktor-pro-perfect-sync/#comments</comments>
		<pubDate>Sat, 09 Jan 2010 15:28:16 +0000</pubDate>
		<dc:creator>Pablo</dc:creator>
				<category><![CDATA[Tutorial]]></category>

		<guid isPermaLink="false">http://www.pablomartin.com/?p=788</guid>
		<description><![CDATA[Traktor Pro basically rivals Ableton Live for Djing, but allows more freedom with ‘on the fly’ track choices and easier browsing within Traktor rather than having to pre-plan an Ableton set beforehand.  I mean lets be honest, most Ableton DJ’s now probably only use 2 channels of full tracks and another two tracks to add [...]]]></description>
			<content:encoded><![CDATA[<p><!--:en--></p>
<p style="text-align: justify;">Traktor Pro basically rivals Ableton Live for Djing, but allows more freedom with ‘on the fly’ track choices and easier browsing within Traktor rather than having to pre-plan an Ableton set beforehand.  I mean lets be honest, most Ableton DJ’s now probably only use 2 channels of full tracks and another two tracks to add samples and loops over the top. Well apart from the fact that in Ableton you could play live melodies and leads over the top of other tracks, in Traktor you can do all the same with the full 4 decks layout.</p>
<p style="text-align: justify;">Before you start gridding your tracks, you need to square away your prefs to match your music.<strong><br />
</strong></p>
<ul>
<li>Open your preferences and go to “File Management”.</li>
<li>Under “Analyze BPM Range”, change the Min/Max BPM to what your tracks that you’re gridding are (eg, Min: 120, Max: 136 for general techno)</li>
<li>Make sure “Place AutoGrid-Marker” is checked</li>
<li>Now go to “Transport” and choose “Snap” under “Mouse Control”.</li>
</ul>
<p style="text-align: justify;">Now Traktor is set to always return a number in that range, so it’s going to get your grid right 99.9% of the time. Then for DnB, do like 160 – 185, dubstep at 135 – 150, etc. Also, every time you load a track, Traktor will create a grid for you.</p>
<ul>
<li>Load your track and let it analyze.</li>
<li> Generally, you’d be done now. There should be a grid marker on the first beat of the track and the tempo should be exactly right.</li>
</ul>
<p><span id="more-484"> </span></p>
<p style="text-align: justify;">Making sure all your Trak’s have been ‘beat gridded’ just like ‘warping’ in Ableton, and the quantisation feature enabled, all decks sync’d up to the master tempo all that is left for you to do is go through each track and set up up to 8 cue points or loop points.</p>
<div id="attachment_790" class="wp-caption alignleft" style="width: 510px"><img class="size-full wp-image-790" title="TRAKTOR PRO" src="http://www.pablomartin.com/wp-content/uploads/2010/01/traktor33_01.jpg" alt="TRAKTOR PRO" width="500" height="400" /><p class="wp-caption-text">TRAKTOR PRO</p></div>
<p><!--:--><!--:es-->Traktor Pro se convirtio en un rival de Ableton Live como herramienta de Djing, pero nos da una mayor libertad gracias a que podemos escoger las canciones al vuelo, ademas de poder localizarlas rápidamente desde su buscador integrado, sin necesidad de tener que preparar los set previamente como nos sucede en Ableton Live, aunque Live a mejorado mucho en sus ultimas versiones, no cabe duda de que a los usuarios acostumbrados al modo de trabajar en Traktor, les cuesta acostumbrarse. Seamos sinceros, la mayoría de DJ’s que utilizan Ableton Live, suelen utilizar solo dos pistas para las canciones y otras dos pistas para la inserción de Samples y Loops para añadirlas sobre las anteriores. Ahora veremos como podemos hacer esto mismo en Traktor gracias al uso de los 4 Decks.</p>
<p style="text-align: justify;">Antes de comenzar el “Grid” de nuestras pistas,tenemos que configurar Traktor para que el proceso sea lo mas sencillo y automatizado posible.</p>
<ul>
<li> Abrimos las preferencias de Traktor y vamos a “Gestión de archivos”.</li>
<li> En la sección “Analizar Rango BPM”, cambiamos el min / max BPM de nuestras pistas al rango con el que vamos atrabajar (por ejemplo, Min: 120 Max: 136  para Techno)</li>
<li> Nos aseguramos de que “Place AutoGrid-Marker” está marcada.</li>
<li> Ahora vamos a “Transport” y seleccionamos “Snap” bajo “Mouse Control”.</li>
</ul>
<p style="text-align: justify;">Tractor ahora está configurado para devolver un número siempre en ese rango, por lo que obtendremos un buen resultado el 99,9% de las veces. Estas son algunas referencias para diferentes estilos DnB,  160 – 185, Dubstep en 135 – 150, etc, cada vez que se carga una pista, Tractor creará un “Grid” automáticamente.</p>
<ul>
<li> Analizamos los archivos con los que queremos trabajar.</li>
<li> En general, ya debe de estar listo, Debería haber un  marcador de “Grid” en el primer tramo de la pista y el “Tempo” debe de ser el correcto.</li>
</ul>
<p style="text-align: justify;">Para empezar, debemos de asegurarnos de hacer un “Beat Grid” o ajuste de cuadricula sobre las pistas con las que vamos a trabajar, esto sería el equivalente a realizar un “Warp” en Ableton Live, también tenemos que asegurarnos de que la función “cuantificación” esté activada y todos los “Decks” estén sincronizados con el “Master Tempo”, seguidamente podemos ir a cada unos de los Decks y añadir hasta un máximo de 8 puntos de inserción (Cue Points) o puntos de Loop (Loop Points).</p>
<p style="text-align: justify;">
<div id="attachment_790" class="wp-caption alignleft" style="width: 510px"><img class="size-full wp-image-790" title="TRAKTOR PRO" src="http://www.pablomartin.com/wp-content/uploads/2010/01/traktor33_01.jpg" alt="TRAKTOR PRO" width="500" height="400" /><p class="wp-caption-text">TRAKTOR PRO</p></div>
<p><!--:--></p>
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